A vista of images is more inspiring than a blank wall for this writer.
As a writer of historical fiction I am always collecting images as part of my research. Maps, plans, photographs, drawings and paintings, all form part of my collection. I file some in topic folders with other clippings and print-outs of reference material, but others I blu-tack to the the wall my desk faces as a constant reference and source of inspiration.
If you look closely at the photographs on this page you’ll see a central image of two WW1 nurses that was an early source of inspiration for The Secrets of Bridgewater Bay. In a way, this photograph set the mood for the entire novel. And around it I added other images that became integral to the story.
Some are photographs I took myself, of locations that appear in the novel. Others are historical photographs of people, places and objects from the early years of the 20th century when the novel is set. Clothing, cars, houses, ships, even a doll’s house that caught my attention and demanded to be included in the story. Of particular inspiration to the mood of the novel were the historical photographs of Colombo in Sri Lanka and Port Said, Egypt. Whenever I felt lost, uncertain where the story needed to go next, or not feeling very inspired, my wall of images lured me back.
As I write, I am about to begin a wall for a new story. Be prepared for Sussex cottages, Regency dresses and the mighty Brisbane River.