People often ask how authors motivate themselves when working so much alone, particularly if they have no looming deadline. As a writer of historical fiction, one of my tactics is to read myself into motivation. In the early stages of a new book idea I don’t have the impetus of lots of words already written to get me going, so I turn to other authors’ words (usually nonfiction) to inspire my creativity. Prod it along, so to speak. Inevitably an idea strikes. In other words, for me reading = writing.
Here is a stack of books I turned to when writing my latest novel The Secrets of Bridgewater Bay. Perhaps the titles will give you a few clues as to its setting. If you sense that the book covers quite a bit of territory, you’d be right. Set in the early twentieth century, it moves from a grand country house in Devon, England, to a homestead in rural Australia. Life in the English Country House and Historic Homesteads are both excellent pictorial references that helped me envisage these settings. And Servants was an excellent resource to understand the relationship between ‘upstairs’ and ‘downstairs’ at that time.
Along the way, the characters travel by ship through the Suez Canal, sailing via Colombo, Sri Lanka, before reaching Australia. Two Happy Years in Ceylon is a reprinted travelogue from the late nineteenth-century, and a treasure trove of description about Sri Lanka at that time from an English traveller’s perspective.
And although the novel isn’t set on the battlefields of World War One, the characters’ lives are impacted by these events. Hence, Vera Brittain’s must-read Testament of Youth, Juliet Nicholson’s The Great Silence and several wonderful and moving collections of letters and diaries by Australian soldiers, which helped give an authentic voice to some of the passages in the novel.
There were many more books, of course, plus a myriad of online sources. But these were a few that really helped me through some rough patches in the writing process.